What if a sophisticated composer had scored a 70’s prison-break flick where the escape never happens, and instead just slowly amplifies the internal turmoil and existential dread of everyday life, Morricone style? No need to speculate: Emil Amos' latest single, "Zone Black", does just that! The melancholy moog flute/synth enabled with conservatory-style guitars and an elastic bounce hybridizes disparate moods, flexing into a new kind of library music.
Utilizing elements from classic television and film soundtracks of the 20th century and informed by... (read more)