News

WANTED: a valid reevaluation of the depiction of life in America's old west! With "Cowboy", a single from Gold Record, Bill Callahan acknowledges the long-prevailing fantasy, now in the province of the late movie, in itself an artifact of a former time. Dryer than a quarter-century of drought, Bill's song echoes the sweet melancholy of that vision, subtly decontextualizing the images of freedom and manifest destiny, allowing us to see them as a fictive projection - one that only exists in our collective mind.
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Keys, the forthcoming collaborative album from Bill MacKay and Nathan Bowles, showcases the duo's deep knowledge of folk traditions and their congenial improvisational coalescence. Performing only a handful of times before embarking on this project, Bowles and MacKay together play like a seasoned old pair of pickers, with an uncanny ability to bolster each other's expression through sympathetic and expansively spiritual notes.
 

On the third single, "Dowsing", a favored rural pastime gives this contemplative instrumental its name. The song expands upon an... (read more)

Last month, Matt Sweeney and Bonnie ‘Prince’ Billy announced their new album, Superwolves, out digitally April 30th and physically June 18th. Today, they release a new single “My Blue Suit,” with an accompanying video directed by Geoff McFetridge, and announce their first tour together since 2014. The tour will see the duo return to their ancestral lupine roots in Big Sur, the site of one of their first live performances, and beyond.

“My Blue Suit” follows previously released singles/videos “Make Worry For... (read more)

How do you act? Play it coo-ool! The Peacers slide back in the room like they own the place and propelled by the chugging intro riff of "Ms. Ela Stanyon's School of Acting", it's no act! They do.
 

Shimmying up with a stoned swagger, the latest Peacers single is a simple set up: a two-guitar rock and roller – three, with the late arrival of the acoustic – but with close-mic technique capturing applications of distortion (dialed way up when... (read more)

Myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; Cory Hanson's Pale Horse Rider is an ecstatic vision poised in a sonic terminus of unoccupied residential parks and streets, fading into craggy footpaths to nowhere. From this vantage point, our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound of the music.
 

Cory's... (read more)

Strange vibrations, queer notions - phantom memories of people and places we used to be! We're talking about the debut album of E.R. Jurken, to be released on the debut record label Country Thyme this April!

On I Stand Corrected, E.R. (Ed to his frenz) unravels the gauze from old wounds with delicate pop fingers strumming a guitar and a touch of keyboards beneath a chorale of overdubbed E.R.s, plumbing depths, tickling fancies and reaching for the light. E.R.'s songwriting and voice convey... (read more)

With Blexxed Rec, The Peacers have gone full-spectrum psych-pop! Strumming every guitar and every bass drum, rebuilding pop once again in it’s own fiendish mirror image, Blexxed Rec is a blessed event for all yer rock and roll people.

The perfect gutter groover to hold up your next hole-in-the-sock hop, "Ghost of A Motherfucker" is a down and dank ditty with sharply focused melodic tendencies, lit up by Bo Moore's falsetto-feinting lead vox. Coolly surveying the state of yesterday's well-respected man today, with... (read more)

Does anyone remember the local bar scene? Sure, it was a lifetime ago (the longest lifetime: a year and counting...), but we still recall those unsung heroes of every local scene; musicians who put their blood, sweat and tears into trying to capture the blood, sweat and tears of somebody else's music. Sure, almost everybody starts off performing covers before eventually finding their own original voice, leaving behind the quiet triumph 'n tragedy of those who continue to try and draw custom via a spirited... (read more)

Upon first blush, Keys, the debut album from Bill MacKay and Nathan Bowles, is a collection of guitar and banjo duets — but from the get-go, it also clear that their agreed-upon duo is also a living organism, growing ambitiously within itself as it plays. Diversity of song is matched by instrumentation: Bill’s guitar and Nathan’s banjo are joined over time by voice, piano, percussion, pump organ, electric organ and requinto, sketching, as they go, the richness and rusticity, traditionalism and open space of which... (read more)

In Glen Echo there are multitudes — all the moments in a life: the good time grooves, shifts in community, moments of loss and generosity that you know you will carry forever, the dark recesses late at night that echo with wonder. You name it, AZITA’s got some hot and sour theme music for it!

AZITA is equal parts droll and dire; her dispassionate view of fates and outcomes for all of us here together on the planet is textured with unique, cinematic details and... (read more)