Xylouris White's upcoming long player, The Forest In Me, flows freely through sprawling landscapes of discreet harmonics and cathartic bursts of melody. George Xylouris' Cretan lute and Jim White's drums track their progressive compositions though a spacious sound-field, rambling today down a well traveled path entitled "Red Wine."

Oh, red wine – is there anything that hasn’t been said or sung about you? The Xylouris White varietal is full bodied and pours easy, with generosity. Measures of Greek dance song squeeze through ... (read more)

2023 marks the twenty-seventh year of Suarasama; it is also the first year for this reissue of their 2013 masterpiece, Timeline.

Irwansyah Harahap and Rithaony Hutajulu, Ethnomusicology lecturers at University of Sumatera Utara, founded Suarasama in 1995 after they’d both graduated from University of Washington in Seattle. Their music, as played and sung on both Timeline and Fajar Di Atas Awan (first issued in 1998, reissued by Drag City in 2008) is hypnotic and joyful, progressing ancient North Sumatran music... (read more)

Fresh off a trek through the wild west coast of the USA, and with passports and synthesizers in hand, Bitchin Bajas (Cooper Crain, Rob Frye, and Dan Quinlivan) are set to continue their ever-expanding Bajascillators tour overseas, with select dates in Europe this coming April. If you've been out of the loop, the Bajas live show has been particularly (third-)eye opening since the release of Bajascillators, their sonic expansion strengthening into something so formidably life-affirming it's gotta be experienced to be believed.

Cory Hanson’s third solo LP, Western Cum is a high-stepping, hard-dancing, first love/heartbreak, tonight’s-the-night, future nostalgia kind of good time. It follows unpredictably upon 2021’s luminescent Pale Horse Rider, upping the heat to molten levels, six strings at a time.

Insatiably in search of greener pastures, Cory draws with vampiric glee from the madness coursing through the world outside; a spiraling shitshow that’s reawakened a compulsion in him – an old ambition, even! - to crush brutality and elegance together into a fresh... (read more)

Some bands just play a few gigs here and there, while others embrace their civic duty to bring the music to the masses, night after night! No Age, with their insatiable desire to elevate folks beyond the clouds of despair and disillusionment with a conceptual allegiance to the idea of People Helping People, land squarely in the latter category. With a U.S. run already under their belts, Dean and Randy now set their sights to the U.K. and Europe to further spread the gospel of... (read more)

Every Alasdair Roberts album displays a unique dimension, existing somewhere between the two complimentary poles of "pop" and "folk" while oscillating from superlative original songs to masterful interpretation of traditional songs from Scotland and beyond. The forthcoming Grief In The Kitchen and Mirth In The Hall, his fifth full-length collection of traditional songs, finds Alasdair returning to his roots, where this thing of music and song hasn’t come the eons it’s traveled to simply entertain - it also cuts deep to the bone.

"The... (read more)

With the impending arrival of Drag On Girard on March 24th, the brilliance of Mike Polizze’s music, beyond the obvious — his singing/screaming guitar leads, classic song construction and vivid hope + dream feels —is the shifting, dynamic personality of each Purling Hiss album. This time out, the colliding circles of time seem to have inspired both the songs and the band, as the sentiment-drenched mood explodes in a wild tangle of guitars set to overwhelm the room.

With "Baby", the second single from ... (read more)