From the beautiful to the jarring, intrepid explorer Bill Callahan charts a passage through all kinds of territory on his new album YTI⅃AƎЯ. Cascading images flow forth from his stream of consciousness, as if scanning the words gathered in a dream journal. Bill’s lyrics strain at the lines on the page, not content to be confined as simply ink on paper, or to separate the printing of the fact from the legend.

With this nu YTI⅃AƎЯ on display, Bill's got a string of... (read more)

80 degrees in the midnight shade. Just another breezeless night. The crickets and the sirens and the humming of florescents and neon all melting down in the groove. An emptiness it’d be a shame to lose. Except – is that the wind kicking up? Whether you knew it or not, here it comes now – you’re right in the path of Maria’s Hunt.

Formed in 2014 in Chicago by partners Joshua Condon and Eliza Weber, Glyders have kept busy, lighting up shows around town... (read more)

On Through A Room, the false dichotomy of composition and improvisation is thoroughly and rightfully abolished. Where Both was a chiseling down of spontaneous live performance, Through a Room treats its sounds as building blocks, combining them to mesmerizing effect. This exploration of terrain is an engrossing depiction of complex emotions and relentless catharsis.

Emerging from a sparse open field, “The Giant” is a synthesis of deep-listening techniques, moving from tone-generation to gamelan to avant howl and back again, with... (read more)

Meg Baird’s songs are rarely made up of tidy stories. In fact, for Meg, mystery itself is often the medium. With Furling, Meg’s fourth album under her own name, she explores the breadth of her musical fascinations and the environments around them—the edges of memory, daydreams spanning years, loose ends, loss, divergent paths, and secret conversations under stars. Furling moves through these varied spaces with the slippery, misty cohesiveness of a dream—guided by an ageless, stirring voice that remains singular and unmistakable.

Outsider freekz, make haste! It’s time to get back to The Future – the one promised back when rock and roll was king, remember? J.T. IV believed in the promise – and now, the late mystery man behind barely-released private press 7” records of the ‘80s like “Destructo Rock” and “Cosmic Lightning”, as well as a film holding the Guinness record for worlds-longest – 85 hours! - has been called back to our mortal coil, to live out his glittering, rapacious dreams once again. 

Spiders In The Rain captures Wand at their performative peak. Aiming to eviscerate the barrier between band and audience, with each person in the room collectively experiencing the exploration and transcendence, they forge entirely new pieces from their recorded catalog. This is not simply a live album, but instead the seizing of lightning in a bottle, demonstrating the group's stylistic sprawl and evolutionary expansion of their sound. 

With "Melted Rope", one the Wand crowd's most... (read more)