December 10, 2001, Maida Vale: Bill Callahan’s “Smog”, out on the Rain On Lens tour, made a stop at the BBC and performed with demonstrative zeal for their British witness, shimmering and hissing with a Lynchian vibe of U.S. darkness in the invariable shadows of the fallen towers. The Holy Grail is the mythical relic from that very Peel Session, with Callahan & band (Jessica Billey, Mike Saenz and Jim White) covering Stevie Nicks, Lou Reed and Smog with grey, ashen resolve and tour-torn flexibility — amassing a bruised, plaintive essence of humanity with their efforts.

Discover the The Holy Grail: Bill Callahan’s “Smog” Dec. 10, 2001 Peel Session on November 22, and hear the first track today: “Beautiful Child”, a marvelously rambling minor key version of Fleetwood Mac's original. Then, turn your ear to Bill... 

“This one to me is a time capsule more than most any of my recordings. All music is a time trapped in time that preaches timelessness – preaching either convincingly or not. But with a radio session such as this, there is a different aspect. It’s all live, all first take, no overdubs. Also I think having the BBC engineers at the controls, with their own aesthetic, not one I am bringing to the studio, that makes it more encapsulated – “remember that day we did that?” The circumstances and the memory of the smell of the studio makes it stand out. So it’s more of a performance maybe than a usual recording, because the audience (engineer and producer) were foreign to us. British, milk in tea. So we gave them something to show them who WE were – Dale Coopers with our black coffees.

Somebody said this EP is very Twin Peaksy. Not in a Badalamenti, torch-song way – a deeper connection. I can see that.

“Beautiful Child” has been turned into a minor key song because, well, it really should have been one in the first place!

“Cold Discovery” was a live staple then and some nights it could really catch fire. We got a pretty good one for BBC.

“Dirty Pants” here is probably better than the LP version.

And then there’s “Jesus”. Sweet, sweet “Jesus”. Here sounding like a deathbed plea shot through with visitations from the angel of mercy.”

—Bill Callahan, 2024